https://thelittleinstitute.com 2025-06-03T11:15:51+00:00 always 0.5 https://thelittleinstitute.com/top-nav 2025-11-03T12:36:52+00:00 always 0.5 https://thelittleinstitute.com/image-mobile 2025-11-03T12:14:39+00:00 always 0.5 https://freight.cargo.site/t/original/i/U2385123559392781854866462354324/IMG_1222_4-copy.jpg https://thelittleinstitute.com/top-nav-mobile 2025-11-03T12:36:53+00:00 always 0.5 https://thelittleinstitute.com/homepage-image 2025-10-16T07:04:25+00:00 always 0.5 https://freight.cargo.site/t/original/i/X2254335584051498496824130808724/IMG_1138.jpeg https://freight.cargo.site/t/original/i/U2385123559392781854866462354324/IMG_1222_4-copy.jpg https://thelittleinstitute.com/exhibitions 2025-06-08T10:18:13+00:00 always 0.5 https://thelittleinstitute.com/top-nav-mobile-1 2025-11-03T12:36:53+00:00 always 0.5 https://freight.cargo.site/t/original/i/M2468176920163652202363351346068/IMG_0495-copy.jpg https://thelittleinstitute.com/nav 2025-11-03T12:36:53+00:00 always 0.5 https://freight.cargo.site/t/original/i/C2254335584033051752750421257108/DSCF4361.jpg https://freight.cargo.site/t/original/i/C2254522427063937404656347917204/clc3.jpg https://freight.cargo.site/t/original/i/S2378832724866630608654103358356/bed_work.jpg https://freight.cargo.site/t/original/i/M2468176920163652202363351346068/IMG_0495-copy.jpg https://freight.cargo.site/t/original/i/H2475851263575937925256405461908/antsss2.jpg https://freight.cargo.site/t/original/i/U2475877152972502822179683314580/c361e8bf-4a40-42b3-895e-d86adfd16f7e-copy.jpg https://thelittleinstitute.com/image 2025-11-03T12:37:22+00:00 always 0.5 https://freight.cargo.site/t/original/i/C2254335584033051752750421257108/DSCF4361.jpg https://freight.cargo.site/t/original/i/U2385123559392781854866462354324/IMG_1222_4-copy.jpg https://thelittleinstitute.com/about 2025-06-08T10:18:13+00:00 always 0.5 https://thelittleinstitute.com/mobile-top-nav-3 2025-11-03T12:43:41+00:00 always 0.5 https://thelittleinstitute.com/about-mobile 2025-11-03T12:43:41+00:00 always 0.5 https://freight.cargo.site/t/original/i/M2475909882790705132078891412372/IMG_1222_4-copy.jpg https://thelittleinstitute.com/top-nav-1 2025-11-03T12:36:53+00:00 always 0.5 https://freight.cargo.site/t/original/i/L2378854053010575375711391329172/IMG_1222_4.jpg https://thelittleinstitute.com/about-1 2025-11-03T11:56:47+00:00 always 0.5 https://freight.cargo.site/t/original/i/U2468070775181728603947401620372/IMG_1222_4-copy-2.png https://freight.cargo.site/t/original/i/X2468101230424152905090347707284/IMG_1222_4-copy.jpg https://thelittleinstitute.com/the-space 2025-06-16T13:48:22+00:00 always 0.5 https://thelittleinstitute.com/mobile-top-nav-2 2025-11-03T12:46:47+00:00 always 0.5 https://thelittleinstitute.com/mobile 2025-11-03T17:39:31+00:00 always 0.5 https://thelittleinstitute.com/info-5 2025-11-03T17:39:31+00:00 always 0.5 https://thelittleinstitute.com/top-nav-2 2025-11-03T12:36:53+00:00 always 0.5 https://thelittleinstitute.com/work 2025-11-03T17:39:30+00:00 always 0.5 https://freight.cargo.site/t/original/i/X2254335584088391984971549911956/IMG_1199.jpeg https://freight.cargo.site/t/original/i/W2254388375497090961030232026004/DSCF3689.jpg https://freight.cargo.site/t/original/i/X2254388375386410496587974716308/DSCF3653.jpg https://freight.cargo.site/t/original/i/J2254388375441750728809103371156/DSCF3671.jpg https://freight.cargo.site/t/original/i/I2254388375478644216956522474388/DSCF3683.jpg https://freight.cargo.site/t/original/i/Q2254388375404857240661684267924/DSCF3656.jpg https://thelittleinstitute.com/one-to-one 2025-08-06T08:48:10+00:00 always 0.5 https://thelittleinstitute.com/mobile-top-nav 2025-11-03T12:46:47+00:00 always 0.5 https://thelittleinstitute.com/mobile-1 2025-11-06T11:30:05+00:00 always 0.5 https://freight.cargo.site/t/original/i/B2254427915760971564127348992916/DSCF4040.jpg ‘One to One’ is the The Little Institute’s first exhibition . The exhibition brings together a range of artists who explore multiple meanings of “One to One”. Some work deals with the interpersonal, questioning relationships between private and public, while other works focus on scale. Many of the prints shown are a 1:1 ratio of their negatives. Similarly, other works are scale-specific to their mediums, such as the egg or the tile. Further relating to size, many pieces have traveled to us from Denmark as they can easily be wrapped and delivered through the letterbox. https://freight.cargo.site/t/original/i/M2468176920163652202363351346068/IMG_0495-copy.jpg ‘One to One’ is the The Little Institute’s first exhibition . The exhibition brings together a range of artists who explore multiple meanings of “One to One”. Some work deals with the interpersonal, questioning relationships between private and public, while other works focus on scale. Many of the prints shown are a 1:1 ratio of their negatives. Similarly, other works are scale-specific to their mediums, such as the egg or the tile. Further relating to size, many pieces have traveled to us from Denmark as they can easily be wrapped and delivered through the letterbox. https://freight.cargo.site/t/original/i/H2560882691993623168994532273044/Screenshot-2025-09-20-at-14.59.25.png Chloe Knight is a mixed media artist living in Glasgow. Her ceramic pieces for ‘One to One’ are personal charms that hold memory as an extension of her body. Ceramic spoon and foot, 2023, 40 x 20 mm, 20 x 20 mm https://freight.cargo.site/t/original/i/U2560882692030516657141951376276/Screenshot-2025-09-20-at-15.00.27.png Zakarias Gauguin is a Danish painter based in Hamburg. He often works from his bedroom, that evokes senses of comfort and stillness. His painting shown in the exhibition is about the tension between home and outside, comfort and the unknown. ‘Go big or go home’, gouache, candle wax, linen canvas, toothpicks and popsicle sticks, 55 x 105 mm https://freight.cargo.site/t/original/i/U2560882692048963401215660927892/Screenshot-2025-09-20-at-15.01.30.png Maya is a Danish artist based in Glasgow working in-between photography, textile and sculpture. Her work for ‘One to One’ explores relations between the private and the public, smallness and intimacy. ‘From private windows’, 2023, photography, 25 x 35 mm https://freight.cargo.site/t/original/i/V2560882691975176424920822721428/3.jpg Rebecca Lajboschitz is a textile artist based in Copenhagen. For this exhibition, we present one of Rebecca’s many ‘Egg Siblings’, a series of works hatched from an interest in an egg’s form and size. ‘Egg sibling’, ceramic, resin, textile, 110 x 50 mm https://freight.cargo.site/t/original/i/B2560882691956729680847113169812/2.jpg https://freight.cargo.site/t/original/i/U2560882692067410145289370479508/Screenshot-2025-09-20-at-15.01.42.png Lucas Allan is an artist currently based in Glasgow. We exhibit these works to celebrate his photography practice independent of his paintings. These polaroid works explore the non-narrative and an ephemeral magic that can be captured through the lens. ’Taped Diving Bell’, ‘Ripped Water’, ‘Handing Down the Light’, 2023, Polaroid print, 30 x 30 mm https://freight.cargo.site/t/original/i/Z2560882692012069913068241824660/Screenshot-2025-09-20-at-14.59.59.png Embla Graham is an artist based in Glasgow. Her piece for ‘One to One’ is a portrait of a single herring, its dyed scales resembling the stormy seas it once called home. ‘Sill’, Fish leather, acrylic, 45 x 45 mm https://freight.cargo.site/t/original/i/Y2560882692085856889363080031124/Screenshot-2025-09-20-at-15.01.56.png Frankie is a painter based in Glasgow. His work in ‘One to One’ is a cropped piece of a larger painting that has been dismantled and recontextualised into the gallery. ‘Window section’, 2023, oil on found tile, 80 x 95 mm https://freight.cargo.site/t/original/i/B2560882692104303633436789582740/Screenshot-2025-09-20-at-15.02.08.png Bianca Patania is an Italian artist based in Glasgow. Her work involves painting, printmaking and photography. Her piece in ‘One to One’ explores family, memory and belonging. ‘Un lunedì di Pasquetta’/‘An Easter Monday’, 2023, Etching, 80 x 95 mm https://freight.cargo.site/t/original/i/K2560892175335624254559051197332/Screenshot-2025-09-20-at-15.00.10.png Saul Crumlish is a photographer based in Glasgow. His photographic print shown in ‘One to One’ stays inherent to the nature of the film, since it is a 1:1 scale with the negative. Untitled, c - print, 60 x 70 mm https://freight.cargo.site/t/original/i/M2560896106853295196128368012180/DSCF3981-kopi.jpg Hannah Keegan is an artist based in Copenhagen. Her work explores the depth of solitude and loneliness through materialising words. Her textile piece for ‘One to One’ integrates the movement of feelings appearing and disappearing. ‘Are those your nerves’, cotton, linen, wool, 70 x 90 mm https://thelittleinstitute.com/info 2025-11-03T18:05:16+00:00 always 0.5 https://thelittleinstitute.com/work-1 2025-11-03T18:05:16+00:00 always 0.5 https://freight.cargo.site/t/original/i/M2254427915742524820053639441300/DSCF4040_.jpg ‘One to One’ is the The Little Institute’s first exhibition . The exhibition brings together a range of artists who explore multiple meanings of “One to One”. Some work deals with the interpersonal, questioning relationships between private and public, while other works focus on scale. Many of the prints shown are a 1:1 ratio of their negatives. Similarly, other works are scale-specific to their mediums, such as the egg or the tile. Further relating to size, many pieces have traveled to us from Denmark as they can easily be wrapped and delivered through the letterbox. https://freight.cargo.site/t/original/i/M2468176920163652202363351346068/IMG_0495-copy.jpg ‘One to One’ is the The Little Institute’s first exhibition . The exhibition brings together a range of artists who explore multiple meanings of “One to One”. Some work deals with the interpersonal, questioning relationships between private and public, while other works focus on scale. Many of the prints shown are a 1:1 ratio of their negatives. Similarly, other works are scale-specific to their mediums, such as the egg or the tile. Further relating to size, many pieces have traveled to us from Denmark as they can easily be wrapped and delivered through the letterbox. https://freight.cargo.site/t/original/i/H2560882691993623168994532273044/Screenshot-2025-09-20-at-14.59.25.png Chloe Knight is a mixed media artist living in Glasgow. Her ceramic pieces for ‘One to One’ are personal charms that hold memory as an extension of her body. Ceramic spoon and foot, 2023, 40 x 20 mm, 20 x 20 mm https://freight.cargo.site/t/original/i/U2560882692030516657141951376276/Screenshot-2025-09-20-at-15.00.27.png Zakarias Gauguin is a Danish painter based in Hamburg. He often works from his bedroom, that evokes senses of comfort and stillness. His painting shown in the exhibition is about the tension between home and outside, comfort and the unknown. ‘Go big or go home’, gouache, candle wax, linen canvas, toothpicks and popsicle sticks, 55 x 105 mm https://freight.cargo.site/t/original/i/U2560882692048963401215660927892/Screenshot-2025-09-20-at-15.01.30.png Maya is a Danish artist based in Glasgow working in-between photography, textile and sculpture. Her work for ‘One to One’ explores relations between the private and the public, smallness and intimacy. ‘From private windows’, 2023, photography, 25 x 35 mm https://freight.cargo.site/t/original/i/V2560882691975176424920822721428/3.jpg Rebecca Lajboschitz is a textile artist based in Copenhagen. For this exhibition, we present one of Rebecca’s many ‘Egg Siblings’, a series of works hatched from an interest in an egg’s form and size. ‘Egg sibling’, ceramic, resin, textile, 110 x 50 mm https://freight.cargo.site/t/original/i/B2560882691956729680847113169812/2.jpg https://freight.cargo.site/t/original/i/U2560882692067410145289370479508/Screenshot-2025-09-20-at-15.01.42.png Lucas Allan is an artist currently based in Glasgow. We exhibit these works to celebrate his photography practice independent of his paintings. These polaroid works explore the non-narrative and an ephemeral magic that can be captured through the lens. ’Taped Diving Bell’, ‘Ripped Water’, ‘Handing Down the Light’, 2023, Polaroid print, 30 x 30 mm https://freight.cargo.site/t/original/i/Z2560882692012069913068241824660/Screenshot-2025-09-20-at-14.59.59.png Embla Graham is an artist based in Glasgow. Her piece for ‘One to One’ is a portrait of a single herring, its dyed scales resembling the stormy seas it once called home. ‘Sill’, Fish leather, acrylic, 45 x 45 mm https://freight.cargo.site/t/original/i/Y2560882692085856889363080031124/Screenshot-2025-09-20-at-15.01.56.png Frankie is a painter based in Glasgow. His work in ‘One to One’ is a cropped piece of a larger painting that has been dismantled and recontextualised into the gallery. ‘Window section’, 2023, oil on found tile, 80 x 95 mm https://freight.cargo.site/t/original/i/B2560882692104303633436789582740/Screenshot-2025-09-20-at-15.02.08.png Bianca Patania is an Italian artist based in Glasgow. Her work involves painting, printmaking and photography. Her piece in ‘One to One’ explores family, memory and belonging. ‘Un lunedì di Pasquetta’/‘An Easter Monday’, 2023, Etching, 80 x 95 mm https://freight.cargo.site/t/original/i/K2560892175335624254559051197332/Screenshot-2025-09-20-at-15.00.10.png Saul Crumlish is a photographer based in Glasgow. His photographic print shown in ‘One to One’ stays inherent to the nature of the film, since it is a 1:1 scale with the negative. Untitled, c - print, 60 x 70 mm https://freight.cargo.site/t/original/i/M2560896106853295196128368012180/DSCF3981-kopi.jpg Hannah Keegan is an artist based in Copenhagen. Her work explores the depth of solitude and loneliness through materialising words. Her textile piece for ‘One to One’ integrates the movement of feelings appearing and disappearing. ‘Are those your nerves’, cotton, linen, wool, 70 x 90 mm https://thelittleinstitute.com/top-nav-3 2025-11-03T12:43:40+00:00 always 0.5 https://thelittleinstitute.com/collecting-leftover-crops 2025-08-06T08:48:10+00:00 always 0.5 https://thelittleinstitute.com/mobile-top-nav-1 2025-11-03T12:46:47+00:00 always 0.5 https://thelittleinstitute.com/mobile-2 2025-11-06T11:30:06+00:00 always 0.5 https://freight.cargo.site/t/original/i/C2254522427063937404656347917204/clc3.jpg ‘Collecting Leftover Crops’ is a gathering of found photography, re-cropped and re-framed in a new narrative. The images are found in the bin in a darkroom, and was determined as either underexposed or overexposed. Someone’s hand is freezing. Someone has been seen looking. White socks in black shoes, someone is passing quickly. There is a small house with two floors and a garden. Someone is peering out of the window. A beautiful picture. It’s still the same smell, but more dusty. Someone is stumbling. Somebody came to the party alone, all dressed up. Somebody came to the party linked to another. Someone is trying to stand still, waiting for the picture to be taken by a friend. Somebody is looking through the window of their childhood home. Someone is missing. Two childhood friends are giggling. The lake is frozen, they slide across it. Someone’s skin is burnt. Someone is waking up by a window with a view to the sea. Someone wearing a suit is turning their face to the sun. Something is growing. A grape, growing and shrinking. The night falls inside someone. The day rises in another. https://freight.cargo.site/t/original/i/F2254522891350038995852052540308/clc7.jpg https://freight.cargo.site/t/original/i/Z2254529498955319454539731839892/Skrmbillede-2025-03-12-kl.-13.31.22.png ‘Collecting Leftover Crops’ is a gathering of found photography, re-cropped and re-framed in a new narrative. The images are found in the bin in a darkroom, and was determined as either underexposed or overexposed. Someone’s hand is freezing. Someone has been seen looking. White socks in black shoes, someone is passing quickly. There is a small house with two floors and a garden. Someone is peering out of the window. A beautiful picture. It’s still the same smell, but more dusty. Someone is stumbling. Somebody came to the party alone, all dressed up. Somebody came to the party linked to another. Someone is trying to stand still, waiting for the picture to be taken by a friend. Somebody is looking through the window of their childhood home. Someone is missing. Two childhood friends are giggling. The lake is frozen, they slide across it. Someone’s skin is burnt. Someone is waking up by a window with a view to the sea. Someone wearing a suit is turning their face to the sun. Something is growing. A grape, growing and shrinking. The night falls inside someone. The day rises in another. https://freight.cargo.site/t/original/i/K2254536953247706152422120762260/IMG_9793.JPG https://freight.cargo.site/t/original/i/X2385373364776752915919126539156/crop1.jpg https://freight.cargo.site/t/original/i/M2385373364905880124435093400468/crop18.jpg https://freight.cargo.site/t/original/i/B2385373364887433380361383848852/crop12.jpg https://freight.cargo.site/t/original/i/S2385373364832093148140255194004/crop2.jpg https://freight.cargo.site/t/original/i/X2385373364924326868508802952084/crop19.jpg https://freight.cargo.site/t/original/i/Q2385373364942773612582512503700/crop20.jpg https://thelittleinstitute.com/info-1 2025-11-03T17:53:27+00:00 always 0.5 https://thelittleinstitute.com/work-2 2025-11-06T11:30:05+00:00 always 0.5 https://freight.cargo.site/t/original/i/L2254522427045490660582638365588/clc1.jpg ‘Collecting Leftover Crops’ is a gathering of found photography, re-cropped and re-framed in a new narrative. The images are found in the bin in a darkroom, and was determined as either underexposed or overexposed. Someone’s hand is freezing. Someone has been seen looking. White socks in black shoes, someone is passing quickly. There is a small house with two floors and a garden. Someone is peering out of the window. A beautiful picture. It’s still the same smell, but more dusty. Someone is stumbling. Somebody came to the party alone, all dressed up. Somebody came to the party linked to another. Someone is trying to stand still, waiting for the picture to be taken by a friend. Somebody is looking through the window of their childhood home. Someone is missing. Two childhood friends are giggling. The lake is frozen, they slide across it. Someone’s skin is burnt. Someone is waking up by a window with a view to the sea. Someone wearing a suit is turning their face to the sun. Something is growing. A grape, growing and shrinking. The night falls inside someone. The day rises in another. https://freight.cargo.site/t/original/i/C2254522427063937404656347917204/clc3.jpg ‘Collecting Leftover Crops’ is a gathering of found photography, re-cropped and re-framed in a new narrative. The images are found in the bin in a darkroom, and was determined as either underexposed or overexposed. Someone’s hand is freezing. Someone has been seen looking. White socks in black shoes, someone is passing quickly. There is a small house with two floors and a garden. Someone is peering out of the window. A beautiful picture. It’s still the same smell, but more dusty. Someone is stumbling. Somebody came to the party alone, all dressed up. Somebody came to the party linked to another. Someone is trying to stand still, waiting for the picture to be taken by a friend. Somebody is looking through the window of their childhood home. Someone is missing. Two childhood friends are giggling. The lake is frozen, they slide across it. Someone’s skin is burnt. Someone is waking up by a window with a view to the sea. Someone wearing a suit is turning their face to the sun. Something is growing. A grape, growing and shrinking. The night falls inside someone. The day rises in another. https://freight.cargo.site/t/original/i/F2254522891350038995852052540308/clc7.jpg https://freight.cargo.site/t/original/i/K2254536953247706152422120762260/IMG_9793.JPG https://freight.cargo.site/t/original/i/X2385373364776752915919126539156/crop1.jpg https://freight.cargo.site/t/original/i/M2385373364905880124435093400468/crop18.jpg https://freight.cargo.site/t/original/i/B2385373364887433380361383848852/crop12.jpg https://freight.cargo.site/t/original/i/S2385373364832093148140255194004/crop2.jpg https://freight.cargo.site/t/original/i/X2385373364924326868508802952084/crop19.jpg https://freight.cargo.site/t/original/i/Q2385373364942773612582512503700/crop20.jpg https://thelittleinstitute.com/top-nav-4 2025-11-03T12:43:40+00:00 always 0.5 https://thelittleinstitute.com/big-bad-wolf-1 2025-08-06T08:48:11+00:00 always 0.5 https://thelittleinstitute.com/top-nav-mobile-2 2025-11-03T12:46:47+00:00 always 0.5 https://thelittleinstitute.com/mobile-3 2025-11-06T11:30:06+00:00 always 0.5 https://freight.cargo.site/t/original/i/O2254540124335246143462591310740/DSCF5161.jpg ‘BIG BAD WOLF’ offers a rare and intimate opportunity to experience Rachel Howard’s art in an entirely new format. This exhibition is an exercise in image collection, distillation and re-presentation. In one painting a man holds a gun as he reaches the cusp of a hill, in another light emanates from beneath a curtain, a further painting depicts two dusty figures walking in what appears to be a war zone. The entire back wall leads us through a pastoral scene out through the gallery door, of which of course we cannot pass. There’s also a high flying bird and some pretty patterns, all for us to mull over. These tiny paintings are executed by flipping from photograph to painting back to photograph then finally painted once again - not everything is as it seems here. https://freight.cargo.site/t/original/i/P2254540851266089856134891842452/DSCF5142.jpg https://freight.cargo.site/t/original/i/F2378836650315322749972977691540/WhatsApp-Image-2025-05-29-at-11.54.57.jpeg Rachel Howard is a British painter who was exhibited nationally and internationally for the past three decades. She was born in 1969 in County Durham, England, and graduated from Goldsmith’s College in 1991 with a degree in Fine Art and Critical Theory. She plays with the tensions between control and chaos, order and entropy, making and unmaking, beauty and destruction. She revels in the sheer joy of her material. The intense physicality of her process grapples with notions of uncertainty, fragility, beauty and horror. https://freight.cargo.site/t/original/i/L2378836650278429261825558588308/WhatsApp-Image-2025-05-29-at-11.54.58.jpeg https://freight.cargo.site/t/original/i/Y2475919310478879347261693111188/c361e8bf-4a40-42b3-895e-d86adfd16f7e-copy.jpg ‘BIG BAD WOLF’ offers a rare and intimate opportunity to experience Rachel Howard’s art in an entirely new format. This exhibition is an exercise in image collection, distillation and re-presentation. In one painting a man holds a gun as he reaches the cusp of a hill, in another light emanates from beneath a curtain, a further painting depicts two dusty figures walking in what appears to be a war zone. The entire back wall leads us through a pastoral scene out through the gallery door, of which of course we cannot pass. There’s also a high flying bird and some pretty patterns, all for us to mull over. These tiny paintings are executed by flipping from photograph to painting back to photograph then finally painted once again - not everything is as it seems here. https://thelittleinstitute.com/info-2 2025-11-03T18:08:09+00:00 always 0.5 https://thelittleinstitute.com/work-3 2025-11-03T18:09:05+00:00 always 0.5 https://freight.cargo.site/t/original/i/O2254540124335246143462591310740/DSCF5161.jpg ‘BIG BAD WOLF’ offers a rare and intimate opportunity to experience Rachel Howard’s art in an entirely new format. This exhibition is an exercise in image collection, distillation and re-presentation. In one painting a man holds a gun as he reaches the cusp of a hill, in another light emanates from beneath a curtain, a further painting depicts two dusty figures walking in what appears to be a war zone. The entire back wall leads us through a pastoral scene out through the gallery door, of which of course we cannot pass. There’s also a high flying bird and some pretty patterns, all for us to mull over. These tiny paintings are executed by flipping from photograph to painting back to photograph then finally painted once again - not everything is as it seems here. https://freight.cargo.site/t/original/i/P2254540851266089856134891842452/DSCF5142.jpg https://freight.cargo.site/t/original/i/F2378836650315322749972977691540/WhatsApp-Image-2025-05-29-at-11.54.57.jpeg Rachel Howard is a British painter who was exhibited nationally and internationally for the past three decades. She was born in 1969 in County Durham, England, and graduated from Goldsmith’s College in 1991 with a degree in Fine Art and Critical Theory. She plays with the tensions between control and chaos, order and entropy, making and unmaking, beauty and destruction. She revels in the sheer joy of her material. The intense physicality of her process grapples with notions of uncertainty, fragility, beauty and horror. https://freight.cargo.site/t/original/i/L2378836650278429261825558588308/WhatsApp-Image-2025-05-29-at-11.54.58.jpeg https://freight.cargo.site/t/original/i/Y2475919310478879347261693111188/c361e8bf-4a40-42b3-895e-d86adfd16f7e-copy.jpg ‘BIG BAD WOLF’ offers a rare and intimate opportunity to experience Rachel Howard’s art in an entirely new format. This exhibition is an exercise in image collection, distillation and re-presentation. In one painting a man holds a gun as he reaches the cusp of a hill, in another light emanates from beneath a curtain, a further painting depicts two dusty figures walking in what appears to be a war zone. The entire back wall leads us through a pastoral scene out through the gallery door, of which of course we cannot pass. There’s also a high flying bird and some pretty patterns, all for us to mull over. These tiny paintings are executed by flipping from photograph to painting back to photograph then finally painted once again - not everything is as it seems here. https://thelittleinstitute.com/top-nav-5 2025-11-03T12:43:41+00:00 always 0.5 https://thelittleinstitute.com/the-bed-is-a-_-full-of-folds 2025-08-06T08:48:11+00:00 always 0.5 https://thelittleinstitute.com/top-nav-mobile-3 2025-11-03T12:46:47+00:00 always 0.5 https://thelittleinstitute.com/mobile-4 2025-11-06T11:30:06+00:00 always 0.5 https://freight.cargo.site/t/original/i/S2254555708716488679576792607636/146bb44e-436c-4b57-9c9d-26de40c3c75d.JPG Ted is an artist based in Glasgow. Their work with textile explores relationships between language, coding and knitting patterns. The knitted lace pieces they showed in the exhibition are based on personal texts and knitted with wool from Shetland Islands. https://freight.cargo.site/t/original/i/B2254556937767706078623088126868/IMG_5506.JPG https://freight.cargo.site/t/original/i/H2254557896740143494487838436244/IMG_5540.JPG https://freight.cargo.site/t/original/i/S2378832724866630608654103358356/bed_work.jpg ‘The bed is a _ landscape, full of folds’ explores the connection between Shetland Islands, landscape and translation; from intimate texts to knitted lace patterns. The bed is a warm landscape, full of folds and undulating forms. It is warm, a responsive warm. It beckons you to stay enraptured. We let pockets of other air seep in, occasionally, and let out noises or movements in response. It is full of our warmth and our movement. https://freight.cargo.site/t/original/i/B2378832724792843632359265151892/bed_closeup.jpg https://thelittleinstitute.com/info-3 2025-11-03T18:14:38+00:00 always 0.5 https://thelittleinstitute.com/work-4 2025-11-03T18:14:38+00:00 always 0.5 https://freight.cargo.site/t/original/i/L2254555422386127167457132424084/51B1D66E-AE04-4B3B-851E-32F01F50310F.JPG ‘The bed is a _ landscape, full of folds’ explores the connection between Shetland Islands, landscape and translation; from intimate texts to knitted lace patterns. The bed is a warm landscape, full of folds and undulating forms. It is warm, a responsive warm. It beckons you to stay enraptured. We let pockets of other air seep in, occasionally, and let out noises or movements in response. It is full of our warmth and our movement. https://freight.cargo.site/t/original/i/S2254555708716488679576792607636/146bb44e-436c-4b57-9c9d-26de40c3c75d.JPG Ted is an artist based in Glasgow. Their work with textile explores relationships between language, coding and knitting patterns. The knitted lace pieces they showed in the exhibition are based on personal texts and knitted with wool from Shetland Islands. https://freight.cargo.site/t/original/i/B2254556937767706078623088126868/IMG_5506.JPG https://freight.cargo.site/t/original/i/H2254557896740143494487838436244/IMG_5540.JPG https://freight.cargo.site/t/original/i/S2378832724866630608654103358356/bed_work.jpg ‘The bed is a _ landscape, full of folds’ explores the connection between Shetland Islands, landscape and translation; from intimate texts to knitted lace patterns. The bed is a warm landscape, full of folds and undulating forms. It is warm, a responsive warm. It beckons you to stay enraptured. We let pockets of other air seep in, occasionally, and let out noises or movements in response. It is full of our warmth and our movement. https://freight.cargo.site/t/original/i/B2378832724792843632359265151892/bed_closeup.jpg https://thelittleinstitute.com/top-nav-6 2025-11-03T12:43:41+00:00 always 0.5 https://thelittleinstitute.com/the-little-award-show 2025-08-06T08:48:11+00:00 always 0.5 https://thelittleinstitute.com/top-nav-mobile-4 2025-11-03T12:46:47+00:00 always 0.5 https://thelittleinstitute.com/mobile-5 2025-11-06T11:30:06+00:00 always 0.5 https://freight.cargo.site/t/original/i/F2254569139809295491575033768852/DSCF5247.jpg https://freight.cargo.site/t/original/i/W2385418122812875232205175401364/IMG_3679-copy.jpg Kaiying Qian explores themes of home and culture rooted in her Chinese heritage. Using photojournalism and archival photography, she delves into her family history, reflecting on time, nostalgia, ageing, and cultural communication within East Asian households. https://freight.cargo.site/t/original/i/U2468156114117904953507502762900/matthew.jpg Matthew Casey’s enchanting paintings produce fairytale realms, featuring ethereal, spirit-like creatures gazing over landscapes they are destined to explore. Using a muted colour palette of deep blues and ochres, Casey creates dreamlike atmospheres that captivate and intrigue. https://freight.cargo.site/t/original/i/P2468162837070676105101008317332/WhatsApp-Image-2025-07-24-at-14.13.52.jpeg Theodore Stevenson is an artist who collects and archives found objects like discarded car parts, broken bike locks, pins, and screws with the curiosity of a magpie. He transforms these components into new art objects, challenging their original functions and renewing their value. https://freight.cargo.site/t/original/i/H2475851263575937925256405461908/antsss2.jpg The Little Award Show presents small-scale artworks by five graduates from the 2024 Fine Art Degree Show at the Glasgow School of Art. The group comprises Jessie Laithwaite, Rebecca Laverty, Matthew Casey, Kaiying Qian, and Theodore Stevenson, alumni from Painting and Printmaking, Fine Art Photography, and Sculpture and Environmental Art. The exhibition brings together a variety of practices and themes, all united by an interest in smallness — how it distorts our perspectives, creates intimacy, emotion, and intrigue. https://freight.cargo.site/t/original/i/A2560495382587078316983490849684/jessie.jpg Jessie Laithwaite is a Glasgow based multi-disciplinary artist. She enjoys making art that is fun and allows for open interpretation. This work is an ode to the ant. Jessie writes about the piece: “I think ants are clever and strong and hardworking and peaceful and kind and social and I think these are all things I want to be. I think their social structure is fascinating and I think they are beautiful, and I think we can learn a lot about ourselves by studying them.” Little Ants II 11 x 5 x 8 mm 2024 3D Printed Eco Resin https://freight.cargo.site/t/original/i/J2560499399550067807975450749844/rebecca.jpg Rebecca Laverty specialises in expanded drawing. Her mark-making features layers of lines, built up and scored down, reflecting the psychologically obsessive and distressed themes in her work. In her degree show, she explored her skin as a surface to live on, zooming in on the microorganisms that inhabit its vast landscape. Accompanying the body of work exhibited in The Little Award Show, she writes: “My drawings evidence an escape. Reality is harsh: I excoriate its surface, piercing existence and peeking through the hole, as though I’m lifting a rock to see the bugs underneath. I wish that my eyes were microscopes; I want to see what the ant sees— my body as a mere landscape, a backdrop, devoid of subjectivity and complexity. Occupied instead of occupying, experienced instead of experiencing— what a relief to live on me, and not inside me.“ ‘On me as I die is a life just as huge’ Coloured pencil on paper https://thelittleinstitute.com/info-4 2025-11-03T18:14:38+00:00 always 0.5 https://freight.cargo.site/t/original/i/T2254569006457782582728685136788/DSCF5246.jpg https://thelittleinstitute.com/the-little-award-show-1 2025-11-03T18:14:38+00:00 always 0.5 https://freight.cargo.site/t/original/i/F2254569139809295491575033768852/DSCF5247.jpg https://freight.cargo.site/t/original/i/W2385418122812875232205175401364/IMG_3679-copy.jpg Kaiying Qian explores themes of home and culture rooted in her Chinese heritage. Using photojournalism and archival photography, she delves into her family history, reflecting on time, nostalgia, ageing, and cultural communication within East Asian households. ‘To the Dust’ 40mm x 60mm 2022 Giclée Fine Art Prints https://freight.cargo.site/t/original/i/U2468156114117904953507502762900/matthew.jpg Matthew Casey’s enchanting paintings produce fairytale realms, featuring ethereal, spirit-like creatures gazing over landscapes they are destined to explore. Using a muted colour palette of deep blues and ochres, Casey creates dreamlike atmospheres that captivate and intrigue. ‘Untitled (Mountains with figure)’ 70 x 70 mm 2024, Oil on canvas https://freight.cargo.site/t/original/i/P2468162837070676105101008317332/WhatsApp-Image-2025-07-24-at-14.13.52.jpeg Theodore Stevenson is an artist who collects and archives found objects like discarded car parts, broken bike locks, pins, and screws with the curiosity of a magpie. He transforms these components into new art objects, challenging their original functions and renewing their value. ‘Bumbershoots’ https://freight.cargo.site/t/original/i/H2475851263575937925256405461908/antsss2.jpg The Little Award Show presents small-scale artworks by five graduates from the 2024 Fine Art Degree Show at the Glasgow School of Art. The group comprises Jessie Laithwaite, Rebecca Laverty, Matthew Casey, Kaiying Qian, and Theodore Stevenson, alumni from Painting and Printmaking, Fine Art Photography, and Sculpture and Environmental Art. The exhibition brings together a variety of practices and themes, all united by an interest in smallness — how it distorts our perspectives, creates intimacy, emotion, and intrigue. https://freight.cargo.site/t/original/i/Z2560490402630261202058098387860/rebecca.jpg Rebecca Laverty specialises in expanded drawing. Her mark-making features layers of lines, built up and scored down, reflecting the psychologically obsessive and distressed themes in her work. In her degree show, she explored her skin as a surface to live on, zooming in on the microorganisms that inhabit its vast landscape. Accompanying the body of work exhibited in The Little Award Show, she writes: “My drawings evidence an escape. Reality is harsh: I excoriate its surface, piercing existence and peeking through the hole, as though I’m lifting a rock to see the bugs underneath. I wish that my eyes were microscopes; I want to see what the ant sees— my body as a mere landscape, a backdrop, devoid of subjectivity and complexity. Occupied instead of occupying, experienced instead of experiencing— what a relief to live on me, and not inside me.“ ‘On me as I die is a life just as huge’ Coloured pencil on paper https://freight.cargo.site/t/original/i/A2560495382587078316983490849684/jessie.jpg Jessie Laithwaite is a Glasgow based multi-disciplinary artist. She enjoys making art that is fun and allows for open interpretation. This work is an ode to the ant. Jessie writes about the work: “I think ants are clever and strong and hardworking and peaceful and kind and social and I think these are all things I want to be. I think their social structure is fascinating and I think they are beautiful, and I think we can learn a lot about ourselves by studying them.” Little Ants II 11 x 5 x 8 mm 2024 3D Printed Eco Resin https://thelittleinstitute.com/top-nav-7 2025-11-03T12:43:41+00:00 always 0.5 https://thelittleinstitute.com/publications 2025-08-06T08:48:10+00:00 always 0.5 https://thelittleinstitute.com/info-text 2025-11-03T18:22:05+00:00 always 0.5 https://thelittleinstitute.com/top-nav-homepage 2025-11-03T12:47:59+00:00 always 0.5 https://thelittleinstitute.com/mobile-6 2025-11-06T11:30:06+00:00 always 0.5 https://freight.cargo.site/t/original/i/V2378759827023400123248027249556/IMG_0160.jpg One to One https://freight.cargo.site/t/original/i/B2378759827004953379174317697940/IMG_0112.jpg Collecting Leftover Crops https://freight.cargo.site/t/original/i/W2378765843078491626217805327252/front.jpg The bed is a _ landscape, full of folds https://freight.cargo.site/t/original/i/Y2378767193970453632115689270164/font_rachel.jpg BIG BAD WOLF https://freight.cargo.site/t/original/i/J2378768890037890745266703051668/front_little.jpg The Little Award Show https://thelittleinstitute.com/publications-1 2025-08-06T08:48:11+00:00 always 0.5 https://freight.cargo.site/t/original/i/V2378759827023400123248027249556/IMG_0160.jpg One to One https://freight.cargo.site/t/original/i/B2378759827004953379174317697940/IMG_0112.jpg Collecting Leftover Crops https://freight.cargo.site/t/original/i/W2378765843078491626217805327252/front.jpg The bed is a _ landscape, full of folds https://freight.cargo.site/t/original/i/Y2378767193970453632115689270164/font_rachel.jpg BIG BAD WOLF https://freight.cargo.site/t/original/i/J2378768890037890745266703051668/front_little.jpg The Little Award show https://thelittleinstitute.com/top-nav-8 2025-11-03T12:36:53+00:00 always 0.5 https://thelittleinstitute.com/one-to-one-publication 2025-08-06T08:48:11+00:00 always 0.5 https://thelittleinstitute.com/info-text-desktop 2025-11-03T18:22:05+00:00 always 0.5 https://thelittleinstitute.com/top-nav-mobile-11 2025-11-03T12:48:00+00:00 always 0.5 https://thelittleinstitute.com/mobile-7 2025-11-06T11:30:06+00:00 always 0.5 https://freight.cargo.site/t/original/i/G2378804592880941926786925996948/WhatsApp-Image-2025-05-29-at-13.24.26-2.jpeg https://freight.cargo.site/t/original/i/G2378804592844048438639506893716/IMG_0154.jpg https://freight.cargo.site/t/original/i/E2378804592862495182713216445332/-.JPG https://thelittleinstitute.com/top-nav-10 2025-11-03T12:36:53+00:00 always 0.5 https://thelittleinstitute.com/one-to-one-publication-1 2025-08-06T08:48:11+00:00 always 0.5 https://freight.cargo.site/t/original/i/G2378804592880941926786925996948/WhatsApp-Image-2025-05-29-at-13.24.26-2.jpeg https://freight.cargo.site/t/original/i/G2378804592844048438639506893716/IMG_0154.jpg https://freight.cargo.site/t/original/i/E2378804592862495182713216445332/-.JPG https://thelittleinstitute.com/collecting-leftover-publication 2025-08-06T08:48:11+00:00 always 0.5 https://thelittleinstitute.com/top-nav-mobile-10 2025-11-03T12:48:00+00:00 always 0.5 https://thelittleinstitute.com/mobile-8 2025-11-06T11:30:06+00:00 always 0.5 https://freight.cargo.site/t/original/i/O2378806816469919315809987341204/IMG_0137.JPG https://freight.cargo.site/t/original/i/L2378806816433025827662568237972/IMG_0116.JPG https://freight.cargo.site/t/original/i/K2378811115871007319368892033940/IMG_0129.JPG https://thelittleinstitute.com/top-nav-11 2025-11-03T12:36:53+00:00 always 0.5 https://thelittleinstitute.com/collecting-leftover-crops-publication 2025-11-03T18:22:04+00:00 always 0.5 https://freight.cargo.site/t/original/i/O2378806816469919315809987341204/IMG_0137.JPG https://freight.cargo.site/t/original/i/L2378806816433025827662568237972/IMG_0116.JPG https://freight.cargo.site/t/original/i/J2378806816506812803957406444436/Image-2024-03-13-at-18.23.JPG https://freight.cargo.site/t/original/i/K2378811115871007319368892033940/IMG_0129.JPG https://thelittleinstitute.com/info-9 2025-11-03T18:22:04+00:00 always 0.5 https://thelittleinstitute.com/the-bed-is-a-publication 2025-08-06T08:48:11+00:00 always 0.5 https://thelittleinstitute.com/top-nav-mobile-9 2025-11-03T12:47:59+00:00 always 0.5 https://thelittleinstitute.com/mobile-9 2025-11-06T11:30:06+00:00 always 0.5 https://freight.cargo.site/t/original/i/Q2378813319353033668048542116756/WhatsApp-Image-2025-05-29-at-12.17.12-1.jpeg Ted is exhibiting traditional Shetland lace and contemporary interpretations of the craft. For the latter, Ted translated texts into knitting patterns, and patterns into knitted lace. The publication collates some texts, patters and lace to visualise the fascinating relationship between these different mediums. https://freight.cargo.site/t/original/i/R2378813319371480412122251668372/WhatsApp-Image-2025-05-29-at-12.17.12.jpeg https://freight.cargo.site/t/original/i/Z2378813319408373900269670771604/WhatsApp-Image-2025-05-29-at-12.17.13.jpeg https://freight.cargo.site/t/original/i/K2378813319426820644343380323220/WhatsApp-Image-2025-05-29-at-12.17.11.jpeg https://thelittleinstitute.com/top-nav-12 2025-11-03T12:36:53+00:00 always 0.5 https://thelittleinstitute.com/the-bed-is-a-_-landscape 2025-08-06T08:48:11+00:00 always 0.5 https://freight.cargo.site/t/original/i/Q2378813319353033668048542116756/WhatsApp-Image-2025-05-29-at-12.17.12-1.jpeg Ted is exhibiting traditional Shetland lace and contemporary interpretations of the craft. For the latter, Ted translated texts into knitting patterns, and patterns into knitted lace. The publication collates some texts, patters and lace to visualise the fascinating relationship between these different mediums. https://freight.cargo.site/t/original/i/R2378813319371480412122251668372/WhatsApp-Image-2025-05-29-at-12.17.12.jpeg https://freight.cargo.site/t/original/i/Z2378813319408373900269670771604/WhatsApp-Image-2025-05-29-at-12.17.13.jpeg https://freight.cargo.site/t/original/i/K2378813319426820644343380323220/WhatsApp-Image-2025-05-29-at-12.17.11.jpeg https://thelittleinstitute.com/info-10 2025-11-03T18:25:22+00:00 always 0.5 https://thelittleinstitute.com/big-bad-wolf-publication-1 2025-08-06T08:48:11+00:00 always 0.5 https://thelittleinstitute.com/top-nav-mobile-8 2025-11-03T12:47:59+00:00 always 0.5 https://thelittleinstitute.com/mobile-10 2025-11-06T11:30:07+00:00 always 0.5 https://freight.cargo.site/t/original/i/G2378815893042766832005183581076/WhatsApp-Image-2025-05-29-at-11.38.50.jpeg https://freight.cargo.site/t/original/i/S2378815893135000552373731339156/WhatsApp-Image-2025-05-29-at-11.38.37.jpeg https://freight.cargo.site/t/original/i/G2378815893061213576078893132692/WhatsApp-Image-2025-05-29-at-11.38.52.jpeg https://freight.cargo.site/t/original/i/P2378815893116553808300021787540/WhatsApp-Image-2025-05-29-at-11.38.42.jpeg https://freight.cargo.site/t/original/i/E2378819509729856667573582965652/font_rachel.jpg https://thelittleinstitute.com/top-nav-14 2025-11-03T12:36:53+00:00 always 0.5 https://thelittleinstitute.com/big-bad-wolf-publication-2 2025-10-16T07:33:33+00:00 always 0.5 https://freight.cargo.site/t/original/i/D2378815892987426599784054926228/WhatsApp-Image-2025-05-29-at-11.38.48-1.jpeg https://freight.cargo.site/t/original/i/G2378815893042766832005183581076/WhatsApp-Image-2025-05-29-at-11.38.50.jpeg https://freight.cargo.site/t/original/i/S2378815893135000552373731339156/WhatsApp-Image-2025-05-29-at-11.38.37.jpeg https://freight.cargo.site/t/original/i/G2378815893061213576078893132692/WhatsApp-Image-2025-05-29-at-11.38.52.jpeg https://freight.cargo.site/t/original/i/P2378815893116553808300021787540/WhatsApp-Image-2025-05-29-at-11.38.42.jpeg https://freight.cargo.site/t/original/i/E2378819509729856667573582965652/font_rachel.jpg https://thelittleinstitute.com/info-12 2025-11-03T18:25:22+00:00 always 0.5 https://thelittleinstitute.com/the-little-award-show-publication 2025-08-06T08:48:11+00:00 always 0.5 https://thelittleinstitute.com/top-nav-mobile-6 2025-11-03T12:47:59+00:00 always 0.5 https://thelittleinstitute.com/mobile-11 2025-11-06T11:30:07+00:00 always 0.5 https://freight.cargo.site/t/original/i/Y2378822623946084679367505882004/IMG_4621.jpg https://freight.cargo.site/t/original/i/X2378822624056765143809763191700/IMG_4626-2.jpg Peeking through the hole, as though I’m lifting a rock to see the bugs underneath. I wish that my eyes were microscopes; I want to see what the ant sees— my body as a mere landscape, a backdrop, devoid of subjectivity and complexity. Occupied instead of occupying, experienced instead of experiencing— what a relief to live on me, and not inside me. Text by Rebecca Laverty https://freight.cargo.site/t/original/i/V2378822624038318399736053640084/IMG_4642.jpg https://freight.cargo.site/t/original/i/Z2378822624001424911588634536852/IMG_4639.jpg https://freight.cargo.site/t/original/i/Z2378826100530153275111860743060/IMG_4641.jpg https://thelittleinstitute.com/top-nav-13 2025-11-03T12:36:53+00:00 always 0.5 https://thelittleinstitute.com/the-little-award-show-publication-1 2025-09-20T18:58:26+00:00 always 0.5 https://freight.cargo.site/t/original/i/Y2378822623946084679367505882004/IMG_4621.jpg https://freight.cargo.site/t/original/i/X2378822624056765143809763191700/IMG_4626-2.jpg Peeking through the hole, as though I’m lifting a rock to see the bugs underneath. I wish that my eyes were microscopes; I want to see what the ant sees— my body as a mere landscape, a backdrop, devoid of subjectivity and complexity. Occupied instead of occupying, experienced instead of experiencing— what a relief to live on me, and not inside me. Text by Rebecca Laverty https://freight.cargo.site/t/original/i/F2378822623964531423441215433620/IMG_4623.jpg Peeking through the hole, as though I’m lifting a rock to see the bugs underneath. I wish that my eyes were microscopes; I want to see what the ant sees— my body as a mere landscape, a backdrop, devoid of subjectivity and complexity. Occupied instead of occupying, experienced instead of experiencing— what a relief to live on me, and not inside me. Text by Rebecca Laverty https://freight.cargo.site/t/original/i/V2378822624038318399736053640084/IMG_4642.jpg https://freight.cargo.site/t/original/i/Z2378822624001424911588634536852/IMG_4639.jpg https://freight.cargo.site/t/original/i/Z2378826100530153275111860743060/IMG_4641.jpg https://thelittleinstitute.com/info-11 2025-11-03T18:25:22+00:00 always 0.5 https://thelittleinstitute.com/blog-2 2025-08-06T08:48:11+00:00 always 0.5 https://thelittleinstitute.com/top-nav-mobile-5 2025-08-06T08:48:11+00:00 always 0.5 https://thelittleinstitute.com/mobile-12 2025-08-06T08:48:11+00:00 always 0.5 https://freight.cargo.site/t/original/i/U2378753699752888599883362478996/WhatsApp-Image-2025-05-29-at-12.09.09.jpeg https://freight.cargo.site/t/original/i/T2378753699845122320251910237076/WhatsApp-Image-2025-05-29-at-11.38.55.jpeg https://freight.cargo.site/t/original/i/Q2378753699789782088030781582228/WhatsApp-Image-2025-05-29-at-12.09.01.jpeg https://freight.cargo.site/t/original/i/D2378753699863569064325619788692/DSCF4123.jpg https://freight.cargo.site/t/original/i/K2378753699808228832104491133844/WhatsApp-Image-2025-05-29-at-12.02.26.jpeg https://freight.cargo.site/t/original/i/X2378757888547299137479795682196/WhatsApp-Image-2025-05-29-at-12.09.08.jpeg https://freight.cargo.site/t/original/i/U2378881595198515788863074872212/WhatsApp-Image-2025-05-29-at-13.24.18.jpeg https://thelittleinstitute.com/info-6 2025-08-06T08:48:11+00:00 always 0.5 https://thelittleinstitute.com/blog-1 2025-08-06T08:48:11+00:00 always 0.5 https://freight.cargo.site/t/original/i/U2378753699752888599883362478996/WhatsApp-Image-2025-05-29-at-12.09.09.jpeg https://freight.cargo.site/t/original/i/T2378753699845122320251910237076/WhatsApp-Image-2025-05-29-at-11.38.55.jpeg https://freight.cargo.site/t/original/i/Q2378753699789782088030781582228/WhatsApp-Image-2025-05-29-at-12.09.01.jpeg https://freight.cargo.site/t/original/i/D2378753699863569064325619788692/DSCF4123.jpg https://freight.cargo.site/t/original/i/K2378753699808228832104491133844/WhatsApp-Image-2025-05-29-at-12.02.26.jpeg https://freight.cargo.site/t/original/i/X2378757888547299137479795682196/WhatsApp-Image-2025-05-29-at-12.09.08.jpeg https://freight.cargo.site/t/original/i/U2378881595198515788863074872212/WhatsApp-Image-2025-05-29-at-13.24.18.jpeg 9th June 2024 -In Embla’s window sill https://freight.cargo.site/t/original/i/X2471403496210793235966123715476/DSCF4509.jpg https://freight.cargo.site/t/original/i/X2472672357789299612614014675860/___.jpg 16/06/24 https://thelittleinstitute.com/top-nav-9 2025-08-06T08:48:11+00:00 always 0.5